Inuzuka Shino (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
inuko) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
prismatica2019-09-02 10:34 pm
inuko) wrote in prismatica2019-09-02 10:34 pm
video | call out to the afterlife
[ Shino gets the camera rolling, and backs up, leaning forward and looking to where the light is, leaving him looking off camera. ]
The blinking light means it's on, right? [ He breathes out in a huff, straightening up and reaching for the table at his side. His fingers linger there, pressed against barely visible pieces of paper. ] Okay, so I don't know how to show pictures I've drawn except like this, and I have a few people that aren't here but might show up sometime, so if anyone sees them, I'd appreciate you letting me know.
[ He picks up the first, then shows each of them, one after another. ]
This is my little sister, Hamaji. And this is my older brother, Sousuke. They're the most important that I know about right away. Hamaji wears black dresses with lace and sturdy heeled shoes, and Sousuke is usually dressed like he's part of the church. You can find him in buttondown shirts, too, like this. [ He lets the drawings be lowered to show the white buttondown he's wearing. The pictures are set on the table, and he gathers up the next few. ] Then there might be one of these guys...
This is Kobungo, Genpachi, and Keno. They're the people who'd most likely want to find me. Genpachi might be in or out of military uniform? Kobungo is sometimes in his inn uniform. Keno always tends to dress traditionally.
[ These are set back on the table, his hand lingering on the surface. He looks to his last drawing, seems to frown, then picks it up to show the camera anyway. Once there, the dog is clearly given more depth to their eyes than literally any of the people, and that's... for reasons! ]
Then there's this guy, Rio Satomi, who'll probably be frowning and angry, because if I can't stand being here, he's going to hate it even more. I guess you could tell me if you see him, too.
[ All the pictures are now back on the table, and a crow, who had been off camera for most this, hops in camera and starts prodding at the drawings while Shino addresses the camera. ]
My name's Inuzuka Shino, and you can contact me on this weird phone if you see any of them in the future. Thanks!
[ He smiles, waving at the camera, as the crow picks up a drawing and attempts to fly away, over the camera, leading to Shino darting forward, hitting his comm, sending it flopped flat to film darkness as he calls out for Murasame to drop that, don't eat the drawing, you stupid bird, and then a fumbling click as the feed finally ends. ]
The blinking light means it's on, right? [ He breathes out in a huff, straightening up and reaching for the table at his side. His fingers linger there, pressed against barely visible pieces of paper. ] Okay, so I don't know how to show pictures I've drawn except like this, and I have a few people that aren't here but might show up sometime, so if anyone sees them, I'd appreciate you letting me know.
[ He picks up the first, then shows each of them, one after another. ]
This is my little sister, Hamaji. And this is my older brother, Sousuke. They're the most important that I know about right away. Hamaji wears black dresses with lace and sturdy heeled shoes, and Sousuke is usually dressed like he's part of the church. You can find him in buttondown shirts, too, like this. [ He lets the drawings be lowered to show the white buttondown he's wearing. The pictures are set on the table, and he gathers up the next few. ] Then there might be one of these guys...
This is Kobungo, Genpachi, and Keno. They're the people who'd most likely want to find me. Genpachi might be in or out of military uniform? Kobungo is sometimes in his inn uniform. Keno always tends to dress traditionally.
[ These are set back on the table, his hand lingering on the surface. He looks to his last drawing, seems to frown, then picks it up to show the camera anyway. Once there, the dog is clearly given more depth to their eyes than literally any of the people, and that's... for reasons! ]
Then there's this guy, Rio Satomi, who'll probably be frowning and angry, because if I can't stand being here, he's going to hate it even more. I guess you could tell me if you see him, too.
[ All the pictures are now back on the table, and a crow, who had been off camera for most this, hops in camera and starts prodding at the drawings while Shino addresses the camera. ]
My name's Inuzuka Shino, and you can contact me on this weird phone if you see any of them in the future. Thanks!
[ He smiles, waving at the camera, as the crow picks up a drawing and attempts to fly away, over the camera, leading to Shino darting forward, hitting his comm, sending it flopped flat to film darkness as he calls out for Murasame to drop that, don't eat the drawing, you stupid bird, and then a fumbling click as the feed finally ends. ]
no subject
Think of it as poetry set to music, or something similar.
no subject
[ He's thinking of a Noh play, please forgive him, this is just... he gets it now, he promises! ]
One of the classic ones with masks. Does stuff like that—wait, I get it! You're from the future compared to my present, aren't you?
[ He doesn't get it at all, he's just assuming confusing things must come from another timeperiod, okay?! ]